Found: 138
  • July 20
    2018

    FRIDAY
    5 PM
    Kaye Playhouse, East 68th St (btwn Park and Lex), New York, NY

    http://ikif.org/Schedule.aspx 5:00pm: Prestige Series Concert - Lang Recital Hall - Baron Fenwick Bach: Chromatic Fantasy and Fugue in D minor, BWV 903 Haydn: Sonata in A-flat Major, Hob. XVI:46 Liszt: Harmonies du Soir (Transcendental Étude No. 11) Rachmaninoff: Variations on a Theme of Corelli, Op. 42 Liebermann: Gargoyles (1989) To Purchase Subscriptions: Week 1 Lang Pass: https://ci.ovationtix.com/34951/store/packages/96866 Week 2 Lang Pass: https://ci.ovationtix.com/34951/store/packages/96867 2 Week Lang Pass: https://ci.ovationtix.com/34951/store/packages/96868

  • July 20
    2018

    FRIDAY
    6 PM
    National Sawdust, 80 North 6TH St, Brooklyn, NY

    Young alt-pop mastermind and piano singer-songwriter Natti Vogel is rapidly becoming New York’s buzziest independent artist with his stunning new orchestral EP “Serving Body” and its equally inimitable array of music videos. His live shows, where Vogel’s conservatory, cinematic, cabaret, rock, jazz, comedic and foreign-language training are all put to use, create an unusually intense and wonderful experience raved about by audiences and press alike. After two previous sold out album concerts, Vogel returns to National Sawdust for two shows this July featuring his full body of work, including a batch of never-before-heard songs. Both concerts will feature unique set lists with distinct premieres, so make sure to catch both! “The ornate, intricately arranged record is a study of early adulthood…replete with​ ​ironic​ ​social​ ​commentary​ ​and​ ​sexual​ ​politicking” (OUT Magazine) “incredibly fun, vastly complex, undeniably sexy, incredibly rewarding, soaring” (Atwood Magazine) “true artistry, an extremely rare delicacy which proves that Natti Vogel may just be the voice we’ve been waiting for” (Born Music UK) “Indie rock fusion virtuoso” (New York Press) “an extraordinary presence with a larger-than-life personality” (OUT magazine) “Quirky, dark, sensual and theatrical with a rich, baroque voice” (MTV) “It’s not hard to imagine Natti Vogel throwing your own overpriced cosmopolitan in your face from behind his piano, but it’s not all Gawker set to music: behind the satire, there is a deep romantic yearning to get away from all that stuff” (A.V. Club) “The mysterious and talented Natti Vogel banters boldly and boasts outrageous style like a classic American diva but his vocals and composition soar higher than superstar pop music.” (Information Magazine, Denmark) “I’m pretty amazed by how Natti Vogel can jump from one genre to the next and still sound authentic. That’s a rare feat. Lady Gaga can’t even do that!” -Stacy Llambe (Entertainment Tonight, OUT Magazine) “”Natti Vogel has the presence of a rising international star” – the Global Times “At his most lyrical, Natti sings with an abandon that is not a product of Bloomberg’s New York, with its clean streets and bank-sponsored bicycles. It’s amazing how money produces pretty art that looks like money. Natti comes from an older tradition. With him, a song is not a brand or an act, but a strong hand tugging you into the dark.” Livingston Award Winner Lois Beckett for EOS

  • July 20
    2018

    FRIDAY
    7:30 PM
    Lincoln Center, New York, NY

    Avant-garde Catalan theater collective La Fura dels Baus brings its “freewheeling blend of audiovisual wizardry, acrobatics, and puppetry” (Guardian, U.K) to Haydn’s famous oratorio. A relentless stream of imagery, text, and stage pageantry touching on everything from philosophy and physics to DNA research and refugees transforms the Enlightenment-era masterpiece into an immersive theatrical experience. A sublime musical performance by the period-instrument Insula Orchestra, vocal ensemble accentus, and a cast of intrepid soloists, led by visionary conductor Laurence Equilbey, anchors this astonishing, maximalist production that explodes all notions of who we are and where we came from.

  • July 20
    2018

    FRIDAY
    8 PM
    Baby's All Right 146 Broadway Brooklyn NY

    Pearl Charles lives in the moment, seeking excitement whether it leads her down a dark, dusty road or into the arms of a trouble-making lover. Her full-length debut album, Sleepless Dreamer, describes late night revelry, love affairs, running away and running towards, serenading the sunrise through whirlwind stories of her native Los Angeles, the city, the canyon, the desert, and the road. On a quest to discover the truest version of herself, Charles embraces the feeling of not being settled, a person who always restlessly wants more from life and is willing chase it, wherever it may lead her. Sleepless Dreamer finds her soulful, often sultry voice gliding through songs tinged with cosmic Americana, a little disco, some classic rock & roll, and a whole lot of that smooth AM gold. Passion, psychedelics and heartbreak inform the highs and lows she rides through the album. Finally able to see clearly through the smoke and mirrors of her surroundings, Charles departs on a consequent journey of questioning and soul-searching, eventually hitting the road in the inevitable search for answers. As heard in the title track, themes of disillusionment and subsequent realization run through to the album. Examined through the lens of relationships, whether it be the one between her and a lover, a friend, a city, the road, the world, or perhaps most importantly, herself, each experiences helps to shape her developing perspective and worldview. On “All The Boys,” she contemplates the cyclical nature of toxic attraction. Funky stand-out “Night Tides” looks at the illusion a person presents in the beginning of a romance, only to reveal their true colors once they’ve lured you in. She recognizes the pattern of being drawn to a tempting yet toxic muse over and over, but admits it fuels her creatively. While many of the songs revolve around romance, they are juxtaposed with more existential/philosophical tracks like “Ghost” and “Only In America”, examining the meaning of life and what plagues her generation of disaffected youth. Arriving January 2018 on Kanine Records, Sleepless Dreamer was produced and engineered by Kenny Woods (formerly of Beck) at the Haas Brothers studio in West Adams, CA. After working together on some covers for Aquarium Drunkard’s Lagniappe Sessions series last summer, Charles knew Woods was the right person to collaborate with on her full-length album. Enlisting an all-star band of friends, the album features the work of Father John Misty’s Chris Dixie Darley (guitar), Dan Bailey (drums), Eli Thompson (bass), and David Vandervelde (guitar), Darian...

  • July 21
    2018

    SATURDAY
    7:30 PM
    The National Opera Center, 330 7th Ave, Fl 7th, New York, Ny

    Dear music lovers and friends,     You are cordially invited to our debut of DaCapo Salon Series. DaCapo Salon Series is formed by Katty Mayorga (guitar), Chantal Balestri (piano), and Ti Chung (Flute), who are active musicians and educators in NYC. With our musician friends, we would like to present you various chamber music. This debut includes guitar duet and trio for flute, clarinet and piano.ProgramGuitar Duet by Katty Mayorga, Fabricio Mario Castelnuovo-Tedesco: Bb Major Prelude and FugueRey Guerra: En Los CaminosTrio for Flute, Clarinet, Piano by Ti Chung, Alex Yu, Chantal BalestriEmmanuel Maurice: Sonata, op.11Florent Schmitt: Sonatine en trio, op.85Camille Saint-Saëns: Tarantelle, op. 6About Musicians Chantal Balestri is an Italian pianist who has won various international competitions and is actively perfoming with the Mahler Youth Orchestra all over Europe. She runs Lunigiana International Music Festival  and recently graduated from NYU with her Masters.   Ti Chung is a Taiwanese flutist who has performed as a soloist and is the member of the Queensboro Symphony Orchestra, and various pit orchestras throughout NYC. As a graduate of Texas Tech University for her D.M.A., she has performed in China, National Flute Association, and festivals in Europe.    Katty Mayorga is a Nicaraguan classical guitarist that has vast playing experience with multiple genres of music. She actively performs with JKLM duo ensemble featuring flutist Jamie Lee and her guitar duo partner Fabricio Andrade. She is a graduate of SUNY Purchase for her Undergraduate degree and Masters Under Frederic Hand.   Alex Yu is a versatile musician who embraces a career as a clarinetist, recorder player and conductor. He has given performances in major venues and has participated in major music festivals around the world. He was the first-prize winner of the 2012 American Protégé International Romantic Music Competition. Alex is currently a doctorate candidate in clarinet performance at the Graduate Center, CUNY.                     Fabricio Dobner Andrade began his formal music studies on October 2003 at "Davino Tardelli da Silva" conservatory with orientation of Joze Marcos Rodriguez. At these time he performed solo and chamber music concerts, such as the “semana da música” (UFSCAR), "primeiro encontro de Orquestras de violões  da Escola de Música Romário Antônio Barbosa” (2004), “Festival nacional de violão de Votorantim”(2004), “Amostra violonística de Votorantim ”(2007, 2008), “Seminário internacional de violão Vital medeiros” (2010, 2011), "Festival Internacional Leo Brouwer"...

  • July 22
    2018

    SUNDAY
    5 PM
    Upper West Side, New York, NY

    MAGICAL MANDOLIN Sunday, July 22nd, 2018, at 5 p.m.         JOYCE RASMUSSEN BALINT / mandolinYELENA GRINBERG / piano  Dear Friends! On Sunday, July 22nd, at 5 p.m., Joyce and I are thrilled to invite you all to join us for a very special evening of MAGICAL MANDOLIN, which will feature some of the most gorgeous works ever written for the unique combination of mandolin and piano. The alluring charm of these two instruments together has inspired many composers including Vivaldi, Beethoven, Hummel, and Calace. The all-Baroque first half of our program will showcase three Baroque delights: Vivaldi's sunny Mandolin Concerto in G Major, RV 532 (ca. 1725), Bach's impassioned Sonata in G Minor, BWV 1001 (ca. 1720), and Handel's ebullient Sonata in D Major, HWV 371 (ca. 1730). In the Classical Era, youthful Beethoven wrote a number of pieces for mandolin and piano during his sojourn in Prague for Countess and mandolinist Josephine von Clary-Aldringen, which include his sublime Adagio in E Major, WoO 43b (1796) and his spirited Andante con variazioni, WoO 44b (1796). The evocative incidental music, Peer Gynt, op. 23 (1875) by the Romantic Norwegian composer, Edvard Grieg, is one of his most beloved and best known works from which he extracted eight movements to make two, four-movement suites. The enchanting Solveig's Cradle Song from Suite No. 2, op. 55 has been arranged for several instrumental combinations, perhaps most beautifully for mandolin and piano. An Italian mandolin virtuoso, luthier and composer, Raffaele Calace, wrote over 200 works for mandolin which include concert works for mandolin solo as well as chamber works for mandolin in combination with other instruments, including piano. The latter category includes his three characterful pieces: a cheerful Rondo, a melancholy Romanza, and the fiery Tarantella. We will conclude our program with Johann Nepomuk Hummel's brilliant Grande Sonate in C Major, op. 37a (1810) - one of the finest and most significant chamber music works ever written for the mandolin and piano, which unfolds in three contrasting movements: an exuberant Allegro con spirito, a heartfelt Andante moderato Siziliano, and a sparkling Rondo finale, full of virtuosic fireworks for both players alike. This special summer salon inspired by the Magical Mandolin is not-to-be-missed!!! Joyce and I wish you a fabulous summer and look forward to seeing you all on Sunday, July 22nd! Dr. Yelena Grinberg, founder and artistic director of the Grinberg Classical Salon Series WHEN: Sunday, July 22nd, 2018, at 5 p.m.           Doors will open at 4:30...

  • July 23
    2018

    MONDAY
    1 PM
    The Church of St. Ignatius of Antioch, 552 West End Ave, New York, New York

    Polyhymnia's 2018-2019 Season Tickets General Admission is $70 Students and Seniors are $50 November, 17 2018 Reges Hispanie Music for Charles V and Philip II Missa Ego sum qui sum—Philippe Rogier Motets by Rogier, Gombert, and Manchicourt March 2, 2019 Open Thou Our Lips Music of the English Reformation by Tallis, Parsons, and Sheppard May 4, 2019 Descendi In Hortum Meum The Flemish Influence in Northern Italy Missa Vivat Felix Hercules—Cipriano de Rore Works by de Rore, Porta, Willaert, and more

  • July 23
    2018

    MONDAY
    8 PM
    Kaye Playhouse, East 68th St (btwn Park and Lex), New York, NY

    7:00pm: Pre-Concert Program Notes - Kaye Playhouse - TBA 8:00pm: Concert - Kaye Playhouse - Distinguished Faculty Artists Concert Schubert: Moments Musicaux, D. 780 Emanuel Krasovsky Tudor Dumitrescu: 9 Preludes Matei Varga Chopin: Nocturne in D Flat Major, Op. 27 Chopin: Ballade No. 4 in F minor, Op. 52 Nina Lelchuk Rachmaninoff: Variations on a Theme of Corelli, Op. 42 Anastasya Terenkova Chopin: Two Scherzi Eduard Zilberkant http://ikif.org/Schedule.aspx To Purchase Subscriptions Week 1 Kaye Pass: https://ci.ovationtix.com/34951/store/packages/96515 Week 2 Kaye Pass: https://ci.ovationtix.com/34951/store/packages/96650 2 Week Kaye Pass: https://ci.ovationtix.com/34951/store/packages/96698

  • July 25
    2018

    WEDNESDAY
    5:30 PM
    Bryant Park
    Carnegie Hall, 57th Street and 7th Ave, New York, NY

    BARBER BARBER Selections from Excursions BARTÓK BARTÓK Romanian Folk Dances BACH BACH Mass in B Minor MESSIAEN MESSIAEN "Intermède" from Quatuor pour la fin du temps LENNON / MCCARTNEY LENNON / MCCARTNEY "In My Life" RIMSKY-KORSAKOV RIMSKY-KORSAKOV Scheherazade MORRICONE ENNIO MORRICONE "Cinema Paradiso" PIAZZOLLA PIAZZOLLA Libertango noneBARBER BARBER Selections from Excursions noneBARTÓK BARTÓK Romanian Folk Dances noneBACH BACH Mass in B Minor noneMESSIAEN MESSIAEN "Intermède" from Quatuor pour la fin du temps noneLENNON / MCCARTNEY LENNON / MCCARTNEY "In My Life" noneRIMSKY-KORSAKOV RIMSKY-KORSAKOV Scheherazade noneMORRICONE ENNIO MORRICONE "Cinema Paradiso" nonePIAZZOLLA PIAZZOLLA Libertango Anything can happen (and it frequently does) when the sensational musicians of Decoda—alumni of the acclaimed Ensemble Connect—perform. Decoda surprises and delights with the melodic splendor of Ennio Morricone’s Cinema Paradiso film score, a colorful arrangement of Rimsky-Korsakov’s Scheherazade, and Piazzolla’s groundbreaking foray into a new and expressive tango style. Part of: Carnegie Hall Citywide

  • July 25
    2018

    WEDNESDAY
    7 PM
    Upper West Side, New York, NY

    MAGICAL MANDOLIN Wednesday, July 25th, 2018, at 7 p.m.         JOYCE RASMUSSEN BALINT / mandolinYELENA GRINBERG / piano  Dear Friends! On Wednesday, July 25th, at 7 p.m., Joyce and I are thrilled to invite you all to join us for a very special evening of MAGICAL MANDOLIN, which will feature some of the most gorgeous works ever written for the unique combination of mandolin and piano. The alluring charm of these two instruments together has inspired many composers including Vivaldi, Beethoven, Hummel, and Calace. The all-Baroque first half of our program will showcase three Baroque delights: Vivaldi's sunny Mandolin Concerto in G Major, RV 532 (ca. 1725), Bach's impassioned Sonata in G Minor, BWV 1001 (ca. 1720), and Handel's ebullient Sonata in D Major, HWV 371 (ca. 1730). In the Classical Era, youthful Beethoven wrote a number of pieces for mandolin and piano during his sojourn in Prague for Countess and mandolinist Josephine von Clary-Aldringen, which include his sublime Adagio in E Major, WoO 43b (1796) and his spirited Andante con variazioni, WoO 44b (1796). The evocative incidental music, Peer Gynt, op. 23 (1875) by the Romantic Norwegian composer, Edvard Grieg, is one of his most beloved and best known works from which he extracted eight movements to make two, four-movement suites. The enchanting Solveig's Cradle Song from Suite No. 2, op. 55 has been arranged for several instrumental combinations, perhaps most beautifully for mandolin and piano. An Italian mandolin virtuoso, luthier and composer, Raffaele Calace, wrote over 200 works for mandolin which include concert works for mandolin solo as well as chamber works for mandolin in combination with other instruments, including piano. The latter category includes his three characterful pieces: a cheerful Rondo, a melancholy Romanza, and the fiery Tarantella. We will conclude our program with Johann Nepomuk Hummel's brilliant Grande Sonate in C Major, op. 37a (1810) - one of the finest and most significant chamber music works ever written for the mandolin and piano, which unfolds in three contrasting movements: an exuberant Allegro con spirito, a heartfelt Andante moderato Siziliano, and a sparkling Rondo finale, full of virtuosic fireworks for both players alike. This special summer salon inspired by the Magical Mandolin is not-to-be-missed!!! Joyce and I wish you a fabulous summer and look forward to seeing you all on Wednesday, July 25th! Dr. Yelena Grinberg, founder and artistic director of the Grinberg Classical Salon Series WHEN: Wednesday, July 25th, 2018, at 7 p.m.           Doors will open...

  • July 25
    2018

    WEDNESDAY
    8 PM
    Kaye Playhouse, East 68th St (btwn Park and Lex), New York, NY

    7:00pm: Pre-Concert Program Notes - Kaye Playhouse - TBA 8:00pm: Concert - Kaye Playhouse - Geoffrey Burleson Program to include works of: Couperin, Schubert, Saint-Saëns, Liszt, Dave Soldier and Laurie San Martin http://ikif.org/Schedule.aspx To Purchase Subscriptions Week 1 Kaye Pass: https://ci.ovationtix.com/34951/store/packages/96515 Week 2 Kaye Pass: https://ci.ovationtix.com/34951/store/packages/96650 2 Week Kaye Pass: https://ci.ovationtix.com/34951/store/packages/96698

  • July 27
    2018

    FRIDAY
    7:30 PM
    Lincoln Center, New York, NY

  • July 28
    2018

    SATURDAY
    6 PM
    National Sawdust, 80 North 6TH St, Brooklyn, NY

    Young alt-pop mastermind and piano singer-songwriter Natti Vogel is rapidly becoming New York’s buzziest independent artist with his stunning new orchestral EP “Serving Body” and its equally inimitable array of music videos. His live shows, where Vogel’s conservatory, cinematic, cabaret, rock, jazz, comedic and foreign-language training are all put to use, create an unusually intense and wonderful experience raved about by audiences and press alike. After two previous sold out album concerts, Vogel returns to National Sawdust for two shows this July featuring his full body of work, including a batch of never-before-heard songs. Both concerts will feature unique set lists with distinct premieres, so make sure to catch both! “The ornate, intricately arranged record is a study of early adulthood…replete with​ ​ironic​ ​social​ ​commentary​ ​and​ ​sexual​ ​politicking” (OUT Magazine) “incredibly fun, vastly complex, undeniably sexy, incredibly rewarding, soaring” (Atwood Magazine) “true artistry, an extremely rare delicacy which proves that Natti Vogel may just be the voice we’ve been waiting for” (Born Music UK) “Indie rock fusion virtuoso” (New York Press) “an extraordinary presence with a larger-than-life personality” (OUT magazine) “Quirky, dark, sensual and theatrical with a rich, baroque voice” (MTV) “It’s not hard to imagine Natti Vogel throwing your own overpriced cosmopolitan in your face from behind his piano, but it’s not all Gawker set to music: behind the satire, there is a deep romantic yearning to get away from all that stuff” (A.V. Club) “The mysterious and talented Natti Vogel banters boldly and boasts outrageous style like a classic American diva but his vocals and composition soar higher than superstar pop music.” (Information Magazine, Denmark) “I’m pretty amazed by how Natti Vogel can jump from one genre to the next and still sound authentic. That’s a rare feat. Lady Gaga can’t even do that!” -Stacy Llambe (Entertainment Tonight, OUT Magazine) “”Natti Vogel has the presence of a rising international star” – the Global Times “At his most lyrical, Natti sings with an abandon that is not a product of Bloomberg’s New York, with its clean streets and bank-sponsored bicycles. It’s amazing how money produces pretty art that looks like money. Natti comes from an older tradition. With him, a song is not a brand or an act, but a strong hand tugging you into the dark.” Livingston Award Winner Lois Beckett for EOS

  • July 28
    2018

    SATURDAY
    7:30 PM
    Lincoln Center, New York, NY

  • July 28
    2018

    SATURDAY
    8 PM
    BargeMusic - Brooklyn Bridge Blvd, Brooklyn, NY

    July 28 • Saturday, 8 pm BUY TICKETS NOW $40 ($35 Senior, $20 Student) Masterworks Series A. Peskanov Bagatelle (Tribute To Beethoven) Schubert Fantasie in C Major, Op. 15, “Wanderer” A. Peskanov Moment Musical (Tribute To Schubert) Rachmaninoff Preludes: Op. 23 No. 6 in E-Flat Major; Op. 23 No. 7 in C Minor; Op. 3 in C-Sharp Minor A. Peskanov Spirits of the Wind Sonnet 140 of Petrarch (Tribute to Franz Liszt) Czerny-Peskanov Toccata Alexander Peskanov, piano

  • July 28
    2018

    SATURDAY
    8 PM
    Spectrum NYC, 70 Flushing Ave, Brooklyn, NY

    A Multi-Sensory Concert Featuring Works by Debussy, Durieux, Ravel, Messiaen, and a US Premiere by Jarosław Kapuściński using Antescofo Software Claude Debussy: Etude, Pour les huit doigts Claude Debussy: Etude, Pour les quartes Claude Debussy: Prelude Book 2 No.11, Les tierces alternées Claude Debussy: Prelude Book 2 No.11, Feux d’artifice Frédéric Durieux: Pour tous ceux qui tombent – Hommage à RAVEL Maurice Ravel: Oiseux tristes Olivier Messiaen: Cantéyodjayâ Jaroslaw Kapuściński: Calligraphies for Ziqi (US Premiere) Jaroslaw Kapuściński: Side Effects Watch an Excerpt of Kapuściński’s Side Effects: http://bit.ly/2ymsaQb "dynamic and unconventional" – The New York Times On Saturday, July 28, 2018 at 8:00pm, Spectrum presents contemporary Chinese-American pianist Jenny Q Chai in Sonorous Brushes, a multi-sensory program employing Chai’s unique form of synesthesia. The program explores repertoire that lives at the intersection of color and sound, exploring this meeting of the senses through important works of the colorful Impressionistic era paired with new works created using Artificial Intelligence technology. In order to fully realize this concept, Chai completed a six-month residency at Cité des Arts in Paris, where she worked simultaneously on the musical performance and the paintings associated with each score. Sonorous Brushes was designed and premiered at Wigmore Hall in London on June 26, 2018. The program features Debussy Etudes Pour les huit doigts and Pour les quartes, Les tierces alternée and Feux d’artifice from Debussy’s Prelude Book 2 No.11, Frédéric Durieux’s Pour tous ceux qui tombent – Hommage à Ravel, Ravel’s Oiseux tristes, and Messiaen’s Cantéyodjayâ. The evening ends with two audio-visual works by Polish composer and Stanford University Music Department Chair, Jaroslaw Kapuściński: Side Effects and the US premiere of Calligraphies for Ziqi. Chai explains, “To begin our journey of synesthesia, we open with Frédéric Durieux’s Pour tous ceux qui tombent-Hommage à Ravel, a tribute to the melancholy often found in Ravel’s music, as so beautifully represented by Ravel’s Oiseux tristes. Messiaen’s Cantéyodjayâ, based on Indonesian rhythms, demonstrates the synesthetic composer’s use of sound palette in his own strong and expressionistic way. As we jump forward to the 21st century, Artificial Intelligence technologies such as the highly advanced Antescofo program allow computers to act as intelligent and attentive co-performers. As the performer plays, the computer listens and anticipates their actions. It can then play its own visual and...

  • Aug 3
    2018

    FRIDAY
    8 PM
    BargeMusic - Brooklyn Bridge Blvd, Brooklyn, NY

    August 3 • Friday, 8 pm BUY TICKETS NOW $40 ($35 Senior, $20 Student) Masterworks Series Scarlatti Piano sonatas (Selection) Granados Selection from Goyescas Soyeon Kate Lee, piano

  • Aug 4
    2018

    SATURDAY
    7 PM
    OPERA America (Marc A. Sorca Hall), New York, NY

    I love Mozart as much as the next human person. (Seriously, Mozart > everything else) but maybe you didn't know that Mozart's sister, Maria Anna Mozart AKA "Nannerl", was also an extremely accomplished musician and composer in her own right. Unfortunately, we'll never HOW fantastic she was because none of her compositions survived (and she was forced to give up her pursuits once she was old enough to get married)... What a forking tragedy right? Unfortunately, we can't change the past. However, we can celebrate the women, people of color, and queer folks in the music and art space RIGHT NOW (and not so long ago).  The Past, Present and Future is Female, folks. Women wrote music and women are writing and they deserve a place in the canon alongside their brothers. That's where we come in. The Past is Female, too collective is here to showcase their work. We are here to tell their stories and sing their songs. We are here to shine a light on the past, and pave the way for the future.  This recital will include works by Ethel Smyth, Francesa Caccini, Florence Price, Fanny Mendelssohn and more.

  • Aug 5
    2018

    SUNDAY
    4 PM
    BargeMusic - Brooklyn Bridge Blvd, Brooklyn, NY

    August 5 • Sunday, 4 pm BUY TICKETS NOW $40 ($35 Senior, $20 Student) Masterworks Series The Six Solo Cello Suites by Bach in Two Concerts with Commentaries, Part I Bach Cello Suite No. 1 in G Major, BWV 1007 Cello Suite No. 2 in D minor, BWV 1008 Cello Suite No. 3 in C Major, BWV 1009 Jeffrey Solow, cello

  • Aug 6
    2018

    MONDAY
    7 PM
    Green-Wood, 500 25th Street, Brooklyn, NY

    Harpist-slash-rockstar Bridget Kibbey brings a haunting program to the Catacombs, accompanied by a team of top-notch string players. Together, they’ll perform music that hovers in the shadows between darkness and light, from Debussy’s Sacred and Profane dances, to Bach’s haunting Toccata and Fugue in D Minor, to the grand finale: André Caplet’s gripping Conte Fantastique. The Program: Debussy: Danses Sacrée et Profane; Saint-Saëns: Fantaisie; Bach: Toccata and Fugue D Minor; Britten: Lachrymae; Caplet: Conte Fantastique The Performers: Chad Hoopes: violin; Grace Park: violin; Matthew Lipman: viola; Mihai Marica: cello The Angel’s Share, a new series of opera and chamber music concerts, takes place in Green-Wood’s Catacombs. One of the oldest structures in the 478-acre National Historic Landmark Cemetery, the Catacombs were built in the 1850s and are normally closed to the public. The series takes its name from the distiller’s term for whiskey that evaporates while maturing in the barrel, thus going to the angels. Each performance includes a pre-concert reception at sunset overlooking New York harbor and the Manhattan skyline. $75 for members of Green-Wood and BHS / $80 for non-members PLEASE NOTE: Ticketholders must be 21 years or older. Click here for our inclement weather policy.

  • Aug 7
    2018

    TUESDAY
    7 PM
    Green-Wood, 500 25th Street, Brooklyn, NY

    Harpist-slash-rockstar Bridget Kibbey brings a haunting program to the Catacombs, accompanied by a team of top-notch string players. Together, they’ll perform music that hovers in the shadows between darkness and light, from Debussy’s Sacred and Profane dances, to Bach’s haunting Toccata and Fugue in D Minor, to the grand finale: André Caplet’s gripping Conte Fantastique. The Program: Debussy: Danses Sacrée et Profane; Saint-Saëns: Fantaisie; Bach: Toccata and Fugue D Minor; Britten: Lachrymae; Caplet: Conte Fantastique The Performers: Chad Hoopes: violin; Grace Park: violin; Matthew Lipman: viola; Mihai Marica: cello The Angel’s Share, a new series of opera and chamber music concerts, takes place in Green-Wood’s Catacombs. One of the oldest structures in the 478-acre National Historic Landmark Cemetery, the Catacombs were built in the 1850s and are normally closed to the public. The series takes its name from the distiller’s term for whiskey that evaporates while maturing in the barrel, thus going to the angels. Each performance includes a pre-concert reception at sunset overlooking New York harbor and the Manhattan skyline. $75 for members of Green-Wood and BHS / $80 for non-members PLEASE NOTE: Ticketholders must be 21 years or older. Click here for our inclement weather policy.

  • Aug 9
    2018

    THURSDAY
    7:30 PM
    Lincoln Center, New York, NY

    “Indisputably the most musical choreographer alive” (New York Times), Mark Morris illuminates music by Monteverdi, Brahms, and Schubert with his kinetic, witty, poetic dancemaking. The program opens with two dances that reveal the intricacies of romantic love—1989’s buoyant Love Song Waltzes set to Brahms’s Liebeslieder-Walzer for voice and piano four hands, and 1996’s I Don’t Want to Love, a revelatory exploration of some of Monteverdi’s most lovelorn madrigals. The performance culminates with a highly anticipated world premiere that brings new life and lift to Schubert’s enchanting chamber-music masterpiece, the “Trout” Quintet.

  • Aug 10
    2018

    FRIDAY
    7:30 PM
    Lincoln Center, New York, NY

    “Indisputably the most musical choreographer alive” (New York Times), Mark Morris illuminates music by Monteverdi, Brahms, and Schubert with his kinetic, witty, poetic dancemaking. The program opens with two dances that reveal the intricacies of romantic love—1989’s buoyant Love Song Waltzes set to Brahms’s Liebeslieder-Walzer for voice and piano four hands, and 1996’s I Don’t Want to Love, a revelatory exploration of some of Monteverdi’s most lovelorn madrigals. The performance culminates with a highly anticipated world premiere that brings new life and lift to Schubert’s enchanting chamber-music masterpiece, the “Trout” Quintet.

  • Aug 11
    2018

    SATURDAY
    6 PM
    BargeMusic - Brooklyn Bridge Blvd, Brooklyn, NY

    August 11 • Saturday, 6 pm BUY TICKETS NOW $40 ($35 Senior, $20 Student) Masterworks Series Bach Toccata in E minor, BWV 914 Haydn Sonata in E-flat Major, Hob. XVI/52 Rachmaninoff Etudes Tableaux Op. 33, 39 (Selection) Barber Piano Sonata, Op. 26 Olga Vinokur, piano

  • Aug 11
    2018

    SATURDAY
    7:30 PM
    Lincoln Center, New York, NY

    “Indisputably the most musical choreographer alive” (New York Times), Mark Morris illuminates music by Monteverdi, Brahms, and Schubert with his kinetic, witty, poetic dancemaking. The program opens with two dances that reveal the intricacies of romantic love—1989’s buoyant Love Song Waltzes set to Brahms’s Liebeslieder-Walzer for voice and piano four hands, and 1996’s I Don’t Want to Love, a revelatory exploration of some of Monteverdi’s most lovelorn madrigals. The performance culminates with a highly anticipated world premiere that brings new life and lift to Schubert’s enchanting chamber-music masterpiece, the “Trout” Quintet.

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